{"product_id":"hatakeyamanaoya-a-bird-blast-130","title":"Naoya Hatakeyama:  A BIRD, BLAST #130","description":"\u003ch3 data-start=\"89\" data-end=\"116\"\u003eNaoya Hatakeyama, \"A Bird, Blast #130\"\u003c\/h3\u003e\n\u003cp data-start=\"118\" data-end=\"187\"\u003eIn the photo that captured the moment of the explosion, a bird happened to be in the frame.\u003cbr data-start=\"147\" data-end=\"150\"\u003eIt condenses the narrative of time and vision surrounding that \"coincidence,\" and encapsulates Naoya Hatakeyama's photographic vision.\u003c\/p\u003e\n\u003cp data-start=\"189\" data-end=\"376\"\u003eThis work depicts the explosion of immense energy and the intertwined existence of nature, all set against the backdrop of a limestone mine.\u003cbr data-start=\"231\" data-end=\"234\"\u003eA bird crosses the scene as a single trajectory amidst the rock fragments and dust stirred up by the explosion, and the shimmering of the space.\u003cbr data-start=\"276\" data-end=\"279\"\u003eDestruction and creation, silence and thunder, life and death—the sight of opposites intersecting in a single moment is...\u003cbr data-start=\"319\" data-end=\"322\"\u003eIt symbolizes the questions that Hatakeyama has consistently explored: \"What is landscape?\" and \"How do human activities affect nature?\"\u003c\/p\u003e\n\u003cp data-start=\"378\" data-end=\"527\"\u003eHatakeyama has intentionally excluded narrative elements from his photography in the past, but that approach is not apparent in this work.\u003cbr data-start=\"432\" data-end=\"435\"\u003eThe wavering of that gaze and the glimmer of emotion would later lead to the opportunity to photograph his hometown of Rikuzentakata.\u003cbr data-start=\"478\" data-end=\"481\"\u003e\"A BIRD BLAST #130\" is also a book that marks a quiet turning point in Hatakeyama's expression.\u003c\/p\u003e\n\u003cp data-start=\"529\" data-end=\"642\"\u003ePublished in 2006 by Taka Ishii Gallery, limited to 1000 copies.\u003cbr data-start=\"559\" data-end=\"562\"\u003eThis work, which can be positioned as a chapter in the \"Blast\" series, presents Hatakeyama's thoughts on the fundamental themes of photography—time, matter, and recording—in the most condensed form.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[Title] A BIRD, BLAST #130\u003cbr\u003e[Publisher] Taka Isii Gallery\u003cbr\u003e[Publication Date] 2006\u003cbr\u003e[Number of pages] 36 pages, 17 illustrations\u003cbr\u003e[Size] Approximately 19.3 x 27.8 x 0.9 cm, 0.42 kg\u003cbr\u003e[Format] Hardcover\u003cbr\u003e[Title Reading] A Bird, Blast #130\u003cbr\u003e[Author(s), Editor(s), etc.] Naoya Hatakeyama\/Author, Rie Shimoda\/Designer\u003cbr\u003e[Printing] Inose Printing \/ Printing\u003cbr\u003e[ISBN] None\u003cbr\u003e[Condition] Used 【 \u003cspan class=\"s1\"\u003e4\u003c\/span\u003e 】Fair to Below Average (Slight staining and slight yellowing on the top edge)\u003cbr\u003e[Accessories] None\u003cbr\u003e[Featured in] Kotaro Iizawa's \"Photographic Thinking\" and others.\u003cbr\u003e[Related Exhibitions]\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eNaoya Hatakeyama (1958-)\u003c\/h3\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_4b22b99d4fbcc393\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cp\u003eBorn in 1958 in Rikuzentakata City, Iwate Prefecture.\u003c\/p\u003e\n\u003cp\u003eHe studied under Seiji Otsuji at the University of Tsukuba, and after graduating, he has been based in Tokyo, continuing to present works that explore the relationship between nature, the city, and photography.\u003cbr\u003eHe is particularly known for his works that feature artificial landscapes inherent in the Japanese landscape, such as the limestone quarries that spread near his birthplace, urban underground waterways, dams, and factories.\u003c\/p\u003e\n\n\u003cp\u003eIn 2001, he was selected as the Japanese representative for the Venice Biennale, and he has also addressed social themes, such as photographing his hometown of Rikuzentakata, which was affected by the Great East Japan Earthquake in 2011.\u003c\/p\u003e\n\n\u003cp\u003eHe was awarded the Purple Ribbon Medal in 2015.\u003cbr\u003eCurrently, in addition to working as a photographer, he serves as a professor at the graduate school of Tokyo University of the Arts, dedicating himself to nurturing the next generation of photographers.\u003c\/p\u003e\n\u003cp\u003eIn 1997, he won the 22nd Kimura Ihei Photo Award for his photo collection \"LIME WORKS.\"\u003cbr\u003eIn 2001, he won the 42nd Mainichi Arts Award for \"Underground\".\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-end=\"516\" data-start=\"463\"\u003e\u0026lt;Related Figures\u0026gt;\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"\/en\/search?q=%E7%95%A0%E5%B1%B1%E7%9B%B4%E5%93%89\u0026amp;options%5Bprefix%5D=last\" title=\"検索: 「畠山直哉」の検索結果3件 – 文福\" aria-label=\"検索: 「畠山直哉」の検索結果3件 – 文福\" data-original=\"https:\/\/bunbuku.live\/search?q=%E7%95%A0%E5%B1%B1%E7%9B%B4%E5%93%89\u0026amp;options%5Bprefix%5D=last\"\u003eNaoya Hatakeyama\u003c\/a\u003e\u003c\/p\u003e","brand":"はたけやまなおや｜畠山直哉 \/ HATAKEYAMA Naoya","offers":[{"title":"Default Title","offer_id":43766898229290,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0649\/4280\/0938\/files\/a-bird-blast-130-1555161.jpg?v=1774421729","url":"https:\/\/bunbuku.live\/en\/products\/hatakeyamanaoya-a-bird-blast-130","provider":"文福","version":"1.0","type":"link"}