{"product_id":"ohtakeshinro_new-new","title":"Shinro Ohtake: NEW NEW","description":"\u003cp data-start=\"0\" data-end=\"184\"\u003eThe exhibition catalog \"Shinro Ohtake Exhibition: Newnew\" by Shinro Ohtake. This official catalog was published in conjunction with the exhibition of the same name held at the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMarugame Genichiro-Inokuma Museum of Contemporary Art\u003c\/span\u003e\u003c\/span\u003e in 2013, focusing solely on new, recent, and unreleased works. Along with \"Okusoku\" and \"Megane\" which were presented in the Setouchi region around the same time, it garnered attention as a publication that allows one to experience Shinro Ohtake's prolific creative activities.\u003c\/p\u003e\n\u003cp data-start=\"186\" data-end=\"383\"\u003eThe great appeal of this book lies in its bold binding design, which goes beyond that of a typical catalog. It consists of eight large sheets, three booklets of different sizes, and a DVD containing exhibition footage, all bound together with paper fasteners. The act of viewing itself connects directly to the experience of the artwork. The sheets include large-scale installations such as \"Mon Cherie: Self-Portrait as a Scrap Hut,\" with powerful poster-like illustrations on the front and detailed views and documentation on the back.\u003c\/p\u003e\n\u003cp data-start=\"385\" data-end=\"507\"\u003eThe booklet section features a wide range of expressions, including collages, drawings, and oil paintings. It allows readers to re-experience Ohtake's thoughts and techniques, where paintings, sculptures, scraps, and fragments of memory freely come and go, in multiple formats. The editing is also impressive, giving a sense of the scale and chaos of the exhibition space that can be brought home.\u003c\/p\u003e\n\u003cp data-start=\"509\" data-end=\"590\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eRather than simply turning pages, this catalog is read by disassembling, spreading out, and reassembling. It can be enjoyed as both an art book and a reference material, allowing one to experience Shinro Ohtake's energy and expansiveness firsthand.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[Title] Shinro Ohtake Exhibition: Newnew\u003cbr\u003e[Publisher] Edition Nord\u003cbr\u003e[Publication Date] 2014\u003cbr\u003e[Number of Pages] Unpaginated\u003cbr\u003e[Size] Approx. \u003cspan\u003e231*298*14mm \/ 517g \u003c\/span\u003e\u003cbr\u003e[Format] Softcover\u003cbr\u003e[Language] Japanese\u003cbr\u003e[Title Reading] OHTAKE SHINRO TEN NEWNEW\u003cbr\u003e[Author\/Editor, etc.] Shinro Ohtake\/Author, Shin Akiyama\/Design\u003cbr\u003e[Printing] -\u003cbr\u003e[ISBN] 9784990665661\u003cbr\u003e[Condition] Used 【8】Good to Very Good (Excellent to Good)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e[Accessories] 1 cover sheet, 8 installation sheets (A3 modified size), 3 booklets (Collage \/ Drawing \u0026 Oil Painting \/ Text), 1 exhibition video DVD (main feature 26 mins + bonus 20 mins), paper fasteners included\u003cbr\u003e[Featured In] -\u003cbr\u003e[Related Exhibition] 2013 Marugame Genichiro-Inokuma Museum of Contemporary Art (Kagawa)\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eShinro Ohtake (b. 1955)\u003c\/h3\u003e\n\u003cp data-end=\"144\" data-start=\"0\"\u003e\u003cbr data-end=\"18\" data-start=\"15\"\u003eBorn in Tokyo in 1955. Graduated from Musashino Art University, Department of Oil Painting, College of Art and Design in 1980. A contemporary artist who continues to work both domestically and internationally, traversing diverse methods including painting, collage, sculpture, photography, sound, and installation.\u003c\/p\u003e\n\u003cp data-end=\"446\" data-start=\"146\"\u003eMajor solo exhibitions include \"Shinro Ohtake Exhibition\" (2022–23) which toured the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNational Museum of Modern Art, Tokyo\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEhime Prefectural Museum of Art\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eToyama Prefectural Museum of Art\u003c\/span\u003e\u003c\/span\u003e; \"Building Scenery 1978–2019\" (2019) at the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eContemporary Art Museum, Kumamoto\u003c\/span\u003e\u003c\/span\u003e \/ \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eArt Tower Mito Contemporary Art Gallery\u003c\/span\u003e\u003c\/span\u003e; and \"Zengaku 1955–2006\" (2006) at the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMuseum of Contemporary Art Tokyo\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-end=\"691\" data-start=\"448\"\u003eHe has also participated in many international exhibitions, including the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVenice Biennale\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003edocumenta 13\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eYokohama Triennale\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSetouchi Triennale\u003c\/span\u003e\u003c\/span\u003e (2010, 2013, 2016, 2019, 2022). He is widely recognized as one of the indispensable artists when discussing Japanese contemporary art since the 1980s.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"733\" data-start=\"693\"\u003ePermanent and public works can still be seen in various locations in Setouchi, including Naoshima, Teshima, and Megijima.\u003c\/p\u003e\n\u003ch4 data-end=\"516\" data-start=\"463\"\u003e\u0026lt; Related Figures \u0026gt;\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"おおたけしんろう｜大竹伸朗 \/ OHTAKE Shinro","offers":[{"title":"Default Title","offer_id":44269509345322,"sku":null,"price":3800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0649\/4280\/0938\/files\/new-new-3692680.jpg?v=1776617831","url":"https:\/\/bunbuku.live\/en\/products\/ohtakeshinro_new-new","provider":"文福","version":"1.0","type":"link"}